As it becomes more clear that social distancing practices aren’t going to end anytime soon, our attention is turning to how to leverage our online offerings to build future audiences.

Many organizations have widely shared free and open content online which has turned out to be a good vehicle to reach current and new patrons. In addition to making it easy to experience the art, this type of deployment removed the barrier of geography and many organizations have seen increased and more diverse engagement than ever before.

Free digital content will continue to be something that we create, but we need to think about how to gather data on who is consuming it, much like we would when someone purchases a ticket.

I have some examples of organizations that are collecting data in exchange for access to their digital content:

Pittsburgh Symphony

Pittsburgh Symphony Website Form

The Pittsburgh Symphony Orchestra is broadcasting concert recordings on their website but you have to fill out a short form in order to watch it.

Alaska Zoo

Alaska Zoo Zoom Background Options

Like so many organizations, Alaska Zoo has created downloadable Zoom backgrounds. Instead of being able to download them directly, you have to request them via email and they are sent back to you.

Cleveland Play House

Cleveland Play House Zoom Screenshot

Cleveland Play House has moved its education programming online and one of the offerings is live classes with their teaching artists. In order to participate, you must register for a particular class and time block and then you are sent the link to join.

New-York Historical Society

New-York Historical Society Virtual Presentation Screenshot

The New-York Historical society is offering virtual presentations of their collections and exhibitions. They are free for members (also a great way to continue offering member benefits) and $10 for non-members. After you register for one of the presentation, a Zoom link is sent.

In collecting this data, you know who is participating in which programs. You can add this information to your existing audience segments and create new ones for follow-up communications later.

If your organization is already taking this approach, please share a link in the comments!

About Ceci Dadisman

Ceci is a multi-faceted marketing professional with more than 10 years of experience successfully marketing the arts and nonprofits utilizing innovative and cutting-edge initiatives. Currently the Digital Marketing Director at FORM, she is nationally recognized as a leader in digital and social media marketing and specializes in the integration of digital marketing and technology into traditional marketing methods.

A frequent public speaker, Ceci’s recent and upcoming engagements feature national conference appearances at NTEN, National Arts Marketing Project, Arts Midwest, OPERA America, and Chorus America in addition to many other local and regional events.

Ceci was born and raised in Pittsburgh, PA and graduated from West Virginia University. She currently lives in Cleveland and makes digital marketing magic at FORM, an agency that works exclusively with arts + culture and nonprofit organizations.

1 thought on “Gathering Data From Virtual Programming”

  1. As I have published here recently, my findings show that many people never finish watching online streaming of plays, operas or concerts. Very few are willing to pay. A quick look at two recent performances online by the UKs National Theatre show donations of 4 resp. 15c per viewer (w/100.000/500.000 views on YouTube) …

    I believe that offering all this content for free shows the napster effect from the early 90ies: everything is for free and nothing is worth paying for. A great danger for the arts … My suggestions would be: create fomo (fear of missing out) feelings, broadcast at a given time, not on-demand, and stop asking for donations (donation fatigue has set in already) – rather sell tickets. Had only the NT asked for a dollar per viewer …


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